Art has been central to Tali's life since childhood, shaped by extensive travel and exploration across many mediums. Since 2014, she has worked with Pâte de Verre, developing an original casting method that departs from traditional plaster silica molds. She teaches her method at glass schools across the United States and abroad.

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Holding a B.A. and M.A. in Business and Psychology, Tali brings the analytical rigor of one discipline and the human-centered inquiry of the other to her art — a practice rooted in identity, systems, and the way meaning accumulates over time.

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Her work was selected as a finalist at The International Exhibition of Glass, Kanazawa, Japan in 2016. She is the first prize winner of The Glass Prize 2017 international competition, UK, and her work was selected for the New Glass Review 39, published by Corning Museum of Glass. In 2017, she held her first solo exhibition, Of Innocence and Experience, at Abrams Claghorn Gallery in Albany, California. In 2019, her second solo exhibition, Longing for the (Home)Land, opened at Bullseye Gallery in the Bay Area, California. In February 2020, she curated Particles at Abrams Claghorn Gallery in Albany, CA. In 2022, her piece Homeland I won first place at the Glass Art Society exhibition at the Museum of Glass in Tacoma, WA.

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Tali's work is included in numerous public and private collections. She has exhibited in national and international galleries and museums including the Museum of Glass Kanazawa, Japan; The Imagine Museum, FL; Boise Art Museum, ID; Grand Rapids Art Museum, MI; Tacoma Museum of Glass, WA; Qingdao Art Museum, China; Stourbridge Glass Museum, UK; Eretz Israel Museum Tel Aviv, Israel, and the Crocker Art Museum, Sacramento, CA.